Old Turkic Cosmology package
Five films, episodes 3 to 7, each released in English, Turkish and German.
from €300 per film
Work with me · II
Sponsorship
Put your name next to the history of the Eurasian steppe: documentaries in three languages and an independent feature film.
The audience
Viewers from the United States to Germany, from Japan to Indonesia and from Brazil to Türkiye, on three language channels.
104,000+subscribers89,600 + 7,570 + 7,130
8.4Mviews
3language channelsEnglish, Turkish, German
3films releasedeach in 3 languages
Türkiye, US, Germanymain audience regions
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Formats
Series partner
Your name at the start of a documentary series, with a mention in every episode.
to be added
Video integration
A short, clearly marked segment inside a documentary.
to be added
Film partner
A place in the credits of Bumin Khan: A Göktürk Movie, the independent feature film.
to be added
Podcast mention
A mention in an episode of the podcast.
to be added
What is coming
Eleven films are planned in the series Turkic History Explained, each released in English, Turkish and German. Episodes 3 to 7 form the Old Turkic Cosmology package, and from episode 8 on the films appear in chronological order.
| Ep. | Title | Length | Status |
|---|---|---|---|
| 1 | The Old Turkic Inscriptions | 6:57 | Finished |
| 2 | Asena: The Wolf Mother of the Göktürks | 9:21 | Finished |
| 3 | The Turkic Töre: Law and Justice over 2000 Years | 20:26 | Finished |
| 4 | Tengri and the Sacred Powers | ~20:00 | Planned |
| 5 | Ötüken: The Sacred Forest | – | Planned |
| 6 | Myths of the Turkic Peoples | – | Planned |
| 7 | Tamgas: Marks of House and Tribe | – | Planned |
| 8 | Blacksmith Slave: How Bumin Toppled the Rouran | 20–30 min | Treatment ready |
| 9 | The Göktürk–Hephthalite War | – | Planned |
| 10 | Gold, Silk and Fire: Istemi and Byzantium | 20–30 min | Treatment ready |
| 11 | 630: The Captured Khan | – | Planned |
Who fits
- Publishers and bookshops
- Museums and exhibitions
- Travel to Türkiye and Central Asia
- Education platforms and apps
- Games and media on history
- Cultural and craft products
Ground rules
Editorial independence
Sponsors do not see or change the content of a film in advance.
Clear labelling
Every sponsored segment is marked as such.
Fit with the subject
I decline brands that clash with the subject or the audience.
How this is made. Reconstructions, film scenes and illustrations are made with AI image and video tools and with Blender. I direct them on the basis of the sources: what appears on screen follows what the sources allow, and where they are silent, that is said openly. Books, scripts and the research behind them are written by me.
Sponsorship inquiry
Tell me about your brand and what you have in mind.